(On “Piss on Your Plot,” Western world courses a detour intó Hendrix-like bIues stone.) Scott mutates his tone of voice with computerized results, and while he't not stating much - an illustration can be “Antidote,” where he promises, “I simply did a three-péat/ F.cked thrée ‘hos I met this week” - the general sonic effect is compelling. He crams music from multiple makers into a individual monitor and, like his coach Kanye Western, becomes those songs into ornate tributes to the males identification. Like Long term's recent DS2, Travis Scótt's debut is a hallmark of hip hop songs's overly medicated emo stage.
